Paul Chan: Selected Writings 2000 - 2014

Book description
The work of Paul Chan (b. 1973) has charted a course in contemporary art as unpredictable and wide-ranging as the thinking that grounds his practice. "Paul Chan: Selected Writings 2000–2014" collects the critical essays and artists texts that first appeared in Artforum, October, Texte zur Kunst, and Frieze, among other publications, as well as never before published speeches and language-based works. From the comedy of artistic freedom in Duchamp to the contradictions that bind aesthetics and politics, Chan’s writings revel in the paradoxes that make the experience of art both vexing and pleasurable. He lays bare the ideas and personalities that motivate his work by reflecting on artists as diverse as Henry Darger, Chris Marker, Sigmar Polke, and Paul Sharits. He grapples with writers and thinkers who have played decisive roles in his practice, including Theodor W. Adorno, Samuel Beckett, and Marquis De Sade. Along the way, Chan forges an understanding of the role of art in a host of broader social and political arenas beyond galleries and museums, where the potential of art is tested and renewed. Edited by George Baker and Eric Banks with Isabel Friedli and Martina Venanzoni, with an introduction by Baker. 

ABOUT PAUL CHAN
Paul Chan lives and works in New York. His work has been exhibited in numerous international shows including: documenta 13, Kassel, 2012; Before The Law, Museum Ludwig, Cologne, 2011-12; Making Worlds, 53rd Venice Biennale, Venice, 2009; Medium Religion, ZKM, Karlsruhe, 2008; Traces du sacré, Centre Pompidou, Paris, 2008 and the Whitney Biennial, Whitney Museum of Art, New York, 2006. Recent solo exhibitions include Paul Chan - Selected Works, Schaulager, Basel, 2014; Paul Chan: The 7 Lights, Serpentine Gallery, London and New Museum, New York, 2007–2008. In 2007, Chan collaborated with the Classical Theatre of Harlem and Creative Time to produce a site-specific outdoor presentation of Samuel Beckett’s play Waiting for Godot in New Orleans. Chan’s essays and interviews have appeared in Artforum, Frieze, Flash Art, October, Tate etc, Parkett, Texte zur Kunst, Bomb, and other magazines and journals. He founded the publishing house Badlands Unlimited in 2010.