Ce manuel propose un panorama complet du théâtre au XVIIe siècle, dans son acception la plus large, comprenant farce et tragédie, mais également comédie-ballet et opéra.
À travers l'étude approfondie d'exemples, connus ou méconnus, on voit se dessiner un art qui évolue et se renouvelle au grès des contraintes politiques et académiques.
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