The Autostitch photographs are an extension of my work with panoramic photography, which I began in the early 1970s by pasting darkroom prints together. I continued the work in the 1980s using a 35mm camera with a built in panoramic mask and in the 1990s using a view camera with a custom-designed panoramic film slide. In the early 2000s I began to cut and repiece photographs using Adobe Photoshop. For the photographs in this series, I used a variety of cameras, as well as iPhones and an iPad. Each photograph is composed of several smaller photographs electronically pieced together using the apps Autostitch and Calico. Perspective and texture play a central role in all of my photography. In this series, I have perspective options that I never knew were possible. I have always liked wide angle lenses, as well as photo compositing techniques that give a similar perspective effect to wide angle lenses. With the algorithms in AutoStitch and Calico, I have enhanced the possibilities that I previously only began to explore with lenses and photo compositing.
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