Attraverso un’analisi delle principali manifestazioni cinematografiche (Venezia, Cannes, Berlino, Karlovy Vary, Mosca, ecc.) nei loro aspetti politici, economici e culturali, il volume tenta di capire se e come tali forme di mobilitazione, che coinvolgono periodicamente governi, produttori, imprenditori, registi e intellettuali, possono contribuire a una conoscenza più approfondita della storia internazionale dell’età contemporanea.
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