– On va créer une école et nationaliser notre compagnie de danse. – Le monde à fait de moi une danseuse. Je ferai de ces barbus des balletomanes. – Tu as l’aura du Che, Fidel a besoin de toi. Faisons en sorte qu’il ne puisse rien te refuser. À travers ce portrait de l'intrigante danseuse étoile Alicia Alonso, Eileen Hofer et Mayelen Goust revisitent la période post-révolution de Cuba , où la dicature a fait du ballet national son meilleur instrument de propagande.
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