Mémoires perdues, mémoires vives : de la crypte de Dracula aux lieux de mémoire joyciens, du chien des Baskerville à l'écriture muséographique de Seamus Heaney, du modernisme (Gertrude Stein) au postmodernisme américain (John Barth), ce volume explore les territoires entre le blanc de l'oubli et les traces du passé dans la littérature et les arts visuels (peinture, sculpture, photographie, land art) du monde anglophone (XIXe-XXe siècles).
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