El presente volumen recoge algunos de los principales trabajos de Adorno sobre teoría musical («Figuras sonoras», «Quasi una fantasia»), en los que, como es habitual, aborda diversas cuestiones relacionadas con la nueva música. Al hilo de este denominador común, el lector encontrará nombres y conceptos tan frecuentes en la precisa y rigurosa reflexión del autor alemán como la forma, la ópera, Wagner, Berg, Schönberg, Stravinski o Richard Strauss.
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